Arles, exhibition, photography

Distance or Empathy? (Rencontres d’Arles – 3)

1 Eikoh Hosoe, Man and Woman, 1961.jpg

Eikoh Hosoe, Man and Woman, 1961

The starkest contrast on view at the Rencontres d’Arles 2016 can be found at the Méjan, one floor below the yellow-tinted exhibition of Tkachenko’s white photographs. It’s not a clash between two photographic styles, but a radical opposition between two ethos, two ways of relating to the photographed subject and therefore to the world –two philosophical standpoints, in fact. The subject at hand is Butoh, the Japanese danse –a rebel, introspective, radical and subversive art form– created by Tatsumi Hijikata and Kazuo Ohno at the end of the 1950s. Continue reading