contemporary art, exhibition, installation

Inhotim (2/3): Of Air & Darkness


Tunga, view of the psychoactive pavilion

I don’t know if Tunga –who was apparently at the inception of Inhotim, having advised Bernardo Paz to create a museum– is “the best” artist here, and this kind of rankings are never very interesting: nevertheless, I felt that his two pavilions stand above the rest. The main one is a large structure, open on the forest, with a dozen oversized red hammocks connecting the building with the trees. In a central vault, one of Tunga’s films is on view; everything else is bathed by daylight, animated by a soft breeze, or entertained by a few raindrops. The superb installation that I saw at the Louvre eleven years ago is here, staging a confrontation of two worlds, accompanied by several works inspired by organic fluids (sometimes reminiscent of Chen Zhen’s artworks), such as Frascos expandidos from 2009 (featured below). Continue reading